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Editorial n°4, by Jessy Neau

Summary of the conference “Loops: Temporal Travel and Causal Paradoxes” (Poitiers, June 4-6, 2026)

By Anne BESSON September 8th 2025

Summary of the conference “Loops: Temporal Travel and Causal Paradoxes” (Poitiers, June 4-6, 2026)

Time loops are very common in narratives. Whether short and specific, enriching the narrative or offering a generic counterpoint, or extended and exploring various levels of subjectivity as in the film Rashomon (Kurosawa, 1950), they operate like spirals or even Deleuzian “folds”, revealing the complexity of multiple meaning networks. While sometimes liberating, or creating uchronias [alternative histories], autotelic loops can nevertheless create “limbotopias” (Gomel and Shemtov, 2018), become instruments of control (metaverse, simulations), or turn into sources of manipulation or surveillance. In post-apocalyptic environments, machines may run “on loop”, the final remnant of a bygone humanity. In essence, time loops offer a powerful framework for analyzing storytelling techniques. They allow for a deep examination of concepts like narrative layering (metalepsis), temporal design, character subjectivity, world-building, audience interpretation, and story resolution.

These diverse modalities of loops were the subject of the conference held at the University of Poitiers on June 4, 5, and 6, 2025. Bringing together 22 speakers from several French and international universities (Canada and Australia), the event was organized with the support of the FoReLLIS researchlab, the University of Poitiers, the Nouvelle-Aquitaine Region, and ASIFF, which was very well represented by several of its members, including its President. The conference was part of a cycle titled “Temporalities”, led by Hélène Machinal and involving several French and Canadian universities.

The first keynote lecture, presented by Françoise Lavocat, offered a diachronic exploration of circular narratives, stretching from the 17th century to contemporary novels and series. Elaine Desprès’s lecture addressed the phenomenon of  time loops in television series, demonstrating the intrinsic connection between time loops and death. The presentations raised various questions about temporal loops, including their aesthetic and formal aspects (the study of text/image hybridization, editing/montage, singular chronotopes), and their political implications (uchronia, alternative history, individual/collective traumas). More “architextual” questions were also raised concerning generic effects and long-term evolution within cycles, sagas, and extended universes.

The proceedings of this conference will be published in a double issue of the journal Otrante. We look forward to the next conference of the “Temporalities” cycle!

 

 logoCategory : ASIFF News / Others / Publications

Call for articles for Fiction Studies n° 2

"Who is Afraid of Fiction?", "Varia", Book reviews

By Charlotte KRAUSS April 1st 2026

header

We are issuing a call for papers for the preparation of the second annual issue of Fiction Studies, our journal published by De Gruyter, which will be published in October 2027.

→ All submissions may be sent (and published) in either English or French.

1 – Thematic dossier (coordinated by Charlotte Krauss and Françoise Lavocat), following the workshop held as part of the AILC Congress in Seoul in 2025, entitled Who is Afraid of Fiction?”.

a) For those who participated in this workshop and have not yet submitted their article, please send it no later than June 1, 2026. The peer review process will begin immediately thereafter. As a reminder, articles may be written in English or French.

b) To complete this dossier, we are issuing a call for papers for three additional contributions on the same topic, “Who is Afraid of Fiction?”
Interested contributors are invited to submit an abstract by June 1, 2026. The final article, which will then undergo peer review, must be submitted by October 1, 2026.
(See the initial call for papers:
https://fictionstudies.org/?p=index&art_ID=376)

2 – Varia section
This issue will also include a “Varia” section. Approximately three articles offering original perspectives on theories of fiction, and falling within one of the disciplines represented within ASIFF (literature, the arts, intermediality, philosophy, psychology, law, neuroscience, etc.), will be published in this section (maximum 45,000 characters including spaces).
We invite proposals in the form of abstracts by June 1, 2026, and completed articles by October 1, 2026.

3 – Book reviews
As with the previous issue, this volume will also include around ten book reviews. Below you will find a list of publications that could be reviewed and were not covered this year. We would also be grateful if you could suggest other recent publications in fiction studies, across all geographical areas and disciplines.
We would like to receive these suggested titles for review, and if possible the names of potential reviewers, by June 1.

Given that a journal’s schedule is not flexible, we would be very grateful if you could treat the above deadlines as strict.

All proposals should be sent to the following address:
asiff.fictionstudies@gmail.com



Suggested publications to be reviewed: 


 

2021

Gittel, Benjamin, Fiktion und Genre, Theorie und Geschichte referenzialisierender Lektürepraktiken 1870–1910, De Gruyter, 2021

 

2023

 

Sedivy, Sonia Art, ed., Representation, and Make-Believe: Essays on the Philosophy of Kendall L. Walton

 

2024

Campisi, Nicolás, The return of the contemporary. The Latin American Novel in the end of times, Pittsburg, 2024. [Victoria Garcia]

 

Danger of Narrative and Fictionality, Björninen, Samuli, Meyer, Pernille, Mäkelä, Maria Zetterberg-Nielsen, Henrik, ed. Peter Lang, 2024. [John Pier]

 

Rosset, François, Lisières de la fiction à l’âge des Lumières, Paris, Hermann, 2024. [Françoise Lavocat]

 

2025

 

Simonin, David éd, Les Fables de l’homme. Pouvoirs des fabulations, Kimé, 2025.

 

Slugan, Mario, Taking Fiction Film Seriously: A Philosophical Approach to Cinema Studies, Bloomsbury, 2025

 

2026

 

Françoise Lavocat, éd. La mémoire des personnages fictionnels, Lausanne, Epistémé, 2026.

 

 

 

 


About

By Anne BESSON March 15th 2024

Fiction and Lies, 4th ASIFF International Congress : informations and programme

10-12 June 2026, University of Edinburgh

By Anne BESSON May 10th 2026

Fiction and Lies

The Fourth International Congress of the Association for Studies in Fiction and Fictionality / Société Internationale des Recherches sur la Fiction et la Fictionnalité (ASIFF/SIRF)

 F&L poster.jpg

 

PROGRAMME INFORMATION

This three-day international conference will explore the relationship between fiction and lies from a range of disciplinary and interdisciplinary perspectives, including philosophy, literary history and theory, narratology, film and media studies, psychology and cognitive science.

The conference will take place from 10-12 June 2026, each day from 9.00 to 17.30.

Keynote addresses:

10 June 2026: Eileen John (Philosophy, University of Warwick), ‘Reasons for Being Loose with the Truth’

11 June 2026: Pierre Bayard (Literature, Université Paris 8 - Saint-Denis), ‘Comment parler de sujets auxquels on ne connaît rien ?’ [‘How to talk about subjects you know nothing about’]


The full programme is avaible here : 

 Fiction and Lies — ASIFF 2026 Programme (A5 booklet) UPDATED.pdf


LOCATION

University of Edinburgh, Pollock Estate (map available here: https://www.uoecollection.com/conferences-events/venue-hubs/pollock-estate/)

 

REGISTRATION (until 25 May 2026)

Register at this link: https://www.epay.ed.ac.uk/conferences-and-events/college-of-humanities-and-social-science/school-of-philosophy-psychology-and-language-sciences/fiction-lies-4th-international-congress-of-the-association-for-studies-in-fiction-fictionality

 

Fees: £50 for staff, £15 for students. The fee includes lunch on all three days.

 

Funding from the Scots Philosophical Association means that staff (including emeritus) and students from Scottish universities attending the conference can have their fees waived. Please email fictionlies2026@gmail.com from your institutional address to request a password before registering.

 

All other delegates must be members of ASIFF/SIRFF. If you are not yet a member, please sign up on this website by clicking ‘The Association’ > ‘Membership’. Membership status will be checked against registration.

 

CONFERENCE DINNER

 

There will be a conference dinner at 7pm on Thursday, 11 June 2026, at Twenty Princes Street in the Hotel Indigo (https://twentyprincesstreet.co.uk/). The cost is £50 per person for a three-course meal with wine.

 

Places are limited and speakers will get priority. If you would like to attend the dinner, please send an email to fictionlies2026@gmail.com with the subject line ‘Dinner’. If places are available you will receive a link for payment. Booking will close 30 May 2026.

 

ACCOMMODATION INFORMATION

 

Unfortunately there is no availability in the Pollock Halls residences near the conference. Here are some options to consider, but websites like Booking.com or Expedia will have others:

 

-Other student housing around the city -- this is likely to be the least expensive option. Sites like Booking.com include student residences available over the summer, e.g. from companies like 'For Students Only' and 'Destiny Student'.

 

-Hotels: Premier Inn (which can be booked only through their own website) and Leonardo Hotels are reasonably priced chains. The Premier Inn Edinburgh Central (Lauriston Place) is the one closest to the conference. The Leonardo Royal Hotel and the Leonardo Hotel Edinburgh City are at a similar distance.

 

-Airbnb: There may be flats as well as individual rooms available.

 

Tutorial

how to write or modify an article on our website

By Anne BESSON October 18th 2024

Here's an article briefly explaining the main site's main features. 

1/ Login

In order to write an article or access the moderation functions (where applicable), you must log in (icon in the top right-hand corner of the site). 
Login :
 If you are already a member, your e-mail address is already known to us. Your login is Firstname.LASTNAME. Your password is automatically generated. You can change it by clicking on “password forgotten” and following the procedure.

If you are not yet a member, you will be asked to create an account (login and password) on the “Membership” page.and password). You will then be able to fill in and pay your membership fee. When you're “validated" by a moderator, you'll then be able to start write articles!

2/ Writing an article

To write a new article, simply click on the icon  "+" on the bottom right-hand corner of the home page. This will take you to the writing interface. Remember to give your article a title. By the style bar above the article, you can add a few simple effects or add an image/media file (pdf, audio file, Office documents): to do this, click on “Add media” in the style bar, then “upload”.
The side menu allows you to select one or more CATEGORIES for your articleas well as adding KEYWORDS if you wish.

3/ quick editing and shortcuts

To make your experience more pleasant and intuitive, all functionalities are accessible via icons  (usually a pencil ✎ for editing)

To edit an item, click on it or on the pencil and access the editing interface to make your own corrections.

4/ Languages

Changing the display language is a one-click operation, thanks to the language bar at the top right of the site. 3 languages are available FR-EN-JP.
Be sure to write your article in the selected language - translation is not automatic, you need to write in as many languages as you wish to display.

 


Join the ASIFF

By ADMIN SIRFF/ASIFF June 21st 2024

How to renew your membership or become a member of the ASIFF: 


For any questions, please contact 
Charlotte Krauss (Treasurer) or Anne Besson (General Secretary).

If you are already a member : all you have to do is pay your annual fee at the start of each calendar year - payment by bank transfer or credit card (Stripe): see below.

If you're not yet a member, you'll need to pay your membership fee and create an account so that we can access your personal informations and you can access the website's functionalities.  To “create an account”, enter your username in the format Firstname.LASTNAME, choose a password and fill out the online membership form

Membership dues :

  • 100 euros for a regular 3-year membership
  • 40 euros for 1-year membership, for those with a monthly income of more than 3000 euros
  • 20 euros/year for a monthly income between 2000 and 2999 euros
  • 15 euros/year for a monthly income between 1000 and 1999 euros
  • 10 euros/year for a monthly income under 1000 euros.

Payments may be made by bank transfer, or credit card (via Stripe). 

  • To pay by bank transfer (recommended method for payments coming from Europe or France)

Account Name: SOCIETE INTERNATIONALE DES REC
SIRFF/ASIFF 4 RUE DES IRLANDAIS, 75005 PARIS
International Account Number: FR76 1010 7006 3300 1170 6416 839
BIC Code: BREDFRPPXXX

  • Payment by credit card is available at the end of the form or directly below (Stripe platform with fees) :




Category : Members

Miguel ANTON MORENO

By Anne BESSON June 23rd 2026

PhD candidate, Universidad Internacional de La Rioja



miguel.anton@unir.net

Discipline : Philosophy

Champ de recherche : epistemology, aesthetics, philosophy of literature, philosophy of music

Website : https://scholar.google.com/citations?user=V42pPZ0AAAAJ&hl=es

CV : https://www.unir.net/profesores/miguel-anton-moreno/

Mots-clés : Apprendre par la fiction, Esthétique, Faire-semblant, Fait et Fiction, Factualité, Fiction et média, Imitation, Mondes possibles, Musique, Philosophie, Romans

Category : News / Events

41st Narrative Conference of the International Society for the Study of Narrative (ISSN)

University of Aarhus, 4-6 June 2026

By Anne BESSON May 10th 2026

Category : News / Events

INTERNATIONAL CONFERENCE “Uprooted” Theories: When Literature Thinks

Université Sorbonne Nouvelle, 28-29 mai 2026

By Anne BESSON May 20th 2026

AFFICHE NEW (Ocre).jpg



INTERNATIONAL CONFERENCE
“Uprooted” Theories: When Literature Reclaims the Discourse of Ideas


28–29 May 2026
Organised by Sorbonne Nouvelle, East China Normal University, and the University of Göttingen

Day 1 — Wednesday, 28 May

09:00–09:20
Opening Session Welcome addresses (Sorbonne Nouvelle / ECNU / Göttingen)
09:20–10:40
Panel 1 — When Fiction Thinks: Metafiction and the Theory of Fiction. How narrative fiction theorizes fictionality from within
Chair: Matthias Freise (University of Göttingen)
Nichita Kaufman — University of GöttingenFiction as Theoretical Laboratory: Narrative Strategies and the Construction of Knowledge
Jérôme Lucereau — Sorbonne Nouvelle : Narrating the “Linguistic Turn”: The Fictionalization of Philosophical and Neuroscientific Discourses
Yue Zhuo — ECNU : Where is the Pleasure in the Text? Rereading Barthes
Françoise Lavocat — Sorbonne Nouvelle : What Do Narrative Fictions Say About Fictionality? Some Metafictional Examples from Lands of Romance (17th–18th Century) to Jasper Fforde (20th–21st Century)

10:40–11:00 Coffee Break

11:00–12:00
Panel 2 — Language, Translation, and the Circulation of Forms. How fictional works transform, invent, and circulate linguistic and translational theories
Chair: Tao Guoshan (ECNU)
Pierre-Alain Bourgoin — Sorbonne Nouvelle : Elements of Analysis for a Fictional Linguistics
Ksenia Kuzminykh — University of Göttingen : Meta Phenomena in the Global Discourse: Narratological Theories and Literary CaseStudies
Anne-Isabelle François — Sorbonne Nouvelle : Theories of Translation in Fiction, or Fictional Translators

12:00–12:30Joint Discussion — Panels 1 & 2
Chair: Philippe Daros (Sorbonne Nouvelle)

12:30–14:00 Lunch

14:00–15:20
Panel 3 — Writers as Theorists: When Authors Think. Works and authors that produce an original theory of memory, time, and literary form
Chair: Cao Jieran (ECNU)
Nina Soleymani — Sorbonne Nouvelle : The “Epic Work” (Florence Goyet): The Productive Itinerary of a Critical Notion
Wu Yuyu — ECNUThe : Temporal Mechanism of Memory in In Search of Lost Time
Alain Schaffner — Sorbonne Nouvelle : Jacques Roubaud, Theorist of Memory
Matthias Freise — University of Göttingen : A Theory of Relationship to the Past, Demonstrated Through Examples from Proust and Verlaine

15:20–15:40 Coffee Break

15:40–16:40
Panel 4 — Theories in Transit: Displacement, and LiteraryReappropriation. How literary works transplant, transform, and contest theoretical frameworks across cultural and disciplinary borders
Chair: Nichita Kaufman (University of Göttingen)
Philippe Daros — Sorbonne Nouvelle : Causality as Literary Theory: Yan Lianke’s Framework for the Novel and Its Critical Stakes
Feng Yuan — ECNULao She and the Cross-Contextual Dialogue on “Alienated Labor” — Centered on TheRickshaw Boy
Alexandre Prstojevic — Sorbonne Nouvelle : Theoretical Stakes in the Work of Danilo Kiš: Dialogue with the Nouveau Roman,Postmodernism, and the Question of Testimony

16:40–17:20 Joint Discussion — Panels 3 & 4
Chair: Alain Schaffner (Sorbonne Nouvelle)

19:00 Conference Dinner

Day 2 — Thursday, 29 May

09:00–10:20 
Panel 5 — Epistemologies in Dialogue: When Traditions Meet Literary and artistic works that bring heterogeneous systems of thought into productive encounter across cultural and disciplinary boundaries

Chair: Wu You (ECNU)
Wang Xiaojing — University of Göttingen : Echoes Across Time and Space: Bakhtinian Dialogism and Its Expression in ChineseClassical Poetry
Diane Chavalet — Sorbonne Nouvelle : V.Y. Mudimbe’s Gnosis at Work in Sami Tchak and Kossi Efoui: Novelistic Space and Epistemological Fabrications
Tao Guoshan — ECNUA : Comparison Study Between Alois Riegl’s “Kunstwollen” and “Liberal Brushwork”of Traditional Chinese Art
Claudine Leblanc — Sorbonne Nouvelle : Fictions of Interpretive Error in Classical Indian Literature: Plot and Theoretical Idea

10:20–10:40 Coffee Break

10:40–12:00 
Panel 6A — Aesthetics, Poetic Form, and The Intelligence of Form. How literary and artistic form itself constitutes an autonomous mode of thought

Chair: Alexandre Stroev (Sorbonne Nouvelle)
Zhu Guohua — ECNU : Maidens Are Made of Water: The Pure Aesthetics of Dream of the Red Chamber
Zhou Xijin — Sorbonne Nouvelle : Literature and Reason: Making Sense Beyond Theory — Contemporary Chinese Poetry as aCase Study
Philippe Met — ECNU : Lorand Gaspar’s Observation Charts: Notebook, Poetry and Surgery
Wang Jiajun — ECNU: Breathing: Rethinking a Poetic Concept through Levinas and Celan

12:00–12:30
Joint Discussion — Panels 5 & 6A
Chair: Yue Zhuo (ECNU)

12:30–14:00 Lunch

14:00–15:00 
Panel 6B — Indirect Thought: Poetic Mediation and Narrative Form.How poetic, allegorical, and narrative forms produce modes of understanding irreducible to conceptual thought

Chair: Anne-Isabelle François (Sorbonne Nouvelle)
Katja Freise — University of GöttingenWhen : Beauty Sleeps: The Metapoetic Visualisation of Literary Crises and Epochal Changein Fairy Tales of the “Sleeping Beauty” Type
Gao Rui — University of Göttingen : Idiocy and Poetry: Three Stories by Karel Čapek
Ivan Ruviditch — ECNU : Demonstrating Without Stating: Classical Chinese Fiction as an Autonomous Mode of Thought — From “The Tale of Hongxian” to the Courtesans of Guan Hanqing

15:00–15:20 Coffee Break

15:20–16:40 
Panel 7 — Futures of Theory: Utopia, Science Fiction, and Speculative Worlds. How speculative and interactive fictions become laboratories for ideological, philosophical, and political reflection
Chair: Ivan Ruviditch (ECNU)
Alexandre Stroev — Sorbonne Nouvelle : “Cosmism” in the Early Twentieth Century: Philosophy (Nikolai Fyodorov), Mystical Theories, Science Fiction, Russian and Chinese Dystopias
Wu You — ECNU : Hope as Method: Techno-Optimistic Futurism in Chinese Science Fiction
Cao Jieran — ECNU: The Future in the Making: Utopian Imagination in Procedural Narratives of Video Games
Xinchao Zhang — Sorbonne Nouvelle : Theories in Play: Narrative Integration and Ludic Reconfiguration in Text-Based Role-Playing Games

16:40–17:10 Joint Discussion — Panels 6B & 7
Chair: Wang Xiaojing (University of Göttingen)

17:10–18:00 Final Roundtable and Closing RemarksChair: Françoise Lavocat (Sorbonne Nouvelle)
Category : Members

Adriano Schwartz

By Anne BESSON June 23rd 2026

professor, University of São Paulo



aschwart@usp.br

Discipline : Contemporary novels; the author as a character; manifestations of short forms in contemporary fiction

Champ de recherche : comparative literature; fiction studies

Website : http://lattes.cnpq.br/1062266413640760

CV : https://periodicos.ufmg.br/index.php/aletria/article/view/36969

Mots-clés : Autobiographie, Comme si, Fait et Fiction, Mondes possibles, Narratologie, Romans

Category : Members

Alberto Voltolini

By Anne BESSON June 23rd 2026

Professor, University of Turin



Discipline : Philosophy

Champ de recherche : Philosophy of Language and Mind

Website :
http://www.dfe.unito.it/do/docenti.pl/Show?_id=avoltoli

Mots-clés : Apprendre par la fiction, Faire-semblant, Fait et Fiction, Mondes possibles, Personnages, Philosophie

Category : Members

Merel Semeijn

By Anne BESSON June 23rd 2026

postdoc, University of Groningen



m.semeijn@rug.nl

Discipline : Philosophy

Champ de recherche : Philosophy of fiction

Website : https://merelsemeijn.wordpress.com/

Mots-clés : Apprendre par la fiction, Comme si, Faire-semblant, Fait et Fiction, Langue et linguistique, Mondes possibles, Philosophie

Category : Members

Mary Antoinette Weigel

By Anne BESSON June 23rd 2026

Graduate Student, San Francisco State University



mweigel@berkeley.edu

Discipline : Philosophy

Champ de recherche : Metaphysics, Epistemology, Philosophy of Mind, Moral Psychology, Social Philosophy

Website : https://philpeople.org/profiles/mary-antoinette-weigel

Mots-clés : Croyance, Philosophie, Réalisme, Vérité

Category : Members

Miadana Annecy ANDOANJARASOA

By ADMIN SIRFF/ASIFF June 23rd 2026

Docteure, Université d'Antsiranana, Madagascar



soatody@gmail.com

Discipline : Littérature francophone

Champ de recherche : Littérature francophone (Bande dessinée contemporaine, intermédialité)

Mots-clés : Bandes dessinées, romans graphiques, manga, Image, Personnages, Sociologie

Category : Members

Alina BAKO

By ADMIN SIRFF/ASIFF June 23rd 2026

enseignant, Université Lucian Blaga de Sibiu (Roumanie)



alina.bako@ulbsibiu.ro

Discipline : Etudes Littéraires; Géographie littéraire; Littérature Comparée

Champ de recherche : Littérature; Etudes Culturelles; Géographie littéraire

Website : https://profile.ulbsibiu.ro/ro/cadru-didactic/alina-ioana-bako/

CV : https://profile.ulbsibiu.ro/wp-content/uploads/cv/CV_Alina_BAKO_2025.pdf

Mots-clés : Apprendre par la fiction, Fait et Fiction, Image, Mondes possibles, Mythologie, Narratologie, Personnages, Romans, Sciences cognitives

Category : Members

Nicholas BAIMA

By ADMIN SIRFF/ASIFF June 23rd 2026

Associate Professor, Florida Atlantic University



nbaima@fau.edu

Discipline : Philosophy

Website : https://sites.google.com/site/nicholasrbaima/

Mots-clés : Apprendre par la fiction, Arts du spectacle, Bandes dessinées, romans graphiques, manga, Fait et Fiction, Jeu de rôle, Jeux, Jeux vidéo

Category : Members

Emma BIELECKI

By Anne BESSON June 23rd 2026

Enseignante, King's College London



emma.bielecki@kcl.ac.uk

Discipline : Lettres modernes

Champ de recherche : Littérature française du dix-neuvième siècle

Website : https://www.kcl.ac.uk/people/dr-emma-bielecki

Mots-clés : Autobiographie, Fait et Fiction, Histoire, Narratologie, Sciences cognitives

Category : Members

Elisa PAGANINI

By ADMIN SIRFF/ASIFF June 23rd 2026

Professor, Università degli Studi di Milano



elisa.paganini@unimi.it

Discipline : Philosophy

Champ de recherche : Fiction

Website : https://www.unimi.it/it/ugov/person/elisa-paganini

Mots-clés : Fiction et média, Langue et linguistique, Philosophie

Category : Members

Crina BUD

By ADMIN SIRFF/ASIFF May 11th 2026

enseignante, Sorbonne Nouvelle et Institut de la langue roumaine



maria-crina.bud@sorbonne-nouvelle.fr

Discipline : Littérature roumaine

Champ de recherche : Littérature comparée

Website : https://www.sorbonne-nouvelle.fr/diplome-de-langue-et-de-civilisation-roumaines-11481.kjsp

Mots-clés : Arts du spectacle, Bandes dessinées, romans graphiques, manga, Cinéma, Fait et Fiction, Fiction et média, Histoire, Romans, Théâtre

Category : Members

Michèle Bokobza KAHAN

By Anne BESSON June 23rd 2026

professeure chercheure enseignante, Université de Tel Aviv



micheleb@tauex.tau.ac.il

Discipline : Littérature

Champ de recherche : Les Lumières en France, littérature contemporaine, roman et témoignage, discours dissident, discours féminin

Website : https://orcid.org/0000-0002-9964-3019

CV : Libertinage et Folie dans le roman du 18e siècle (Peeters, 2000), Dulaurens et son œuvre : Un auteur marginal au XVIIIe siècle : Deviances discursives et Bigarrures philosophiques (Champion, 2010), Témoigner des miracles au siècle des Lumières : Récits et discours de Saint-Médard (Garnier Classique, 2015). She has edited and presented Mémoires d'une honnête femme de Chevrier (collection Lire le Dix-huitième siècle, Publications de l'Université de Saint-Etienne, 2005). She has directed a special issue on

Mots-clés : Autobiographie, Émotions, Fait et Fiction, Factualité, Narratologie, Personnages, Réalisme, Romans

Category : Members

Tom Sewel

By Charlotte KRAUSS May 28th 2026

Category : Members

Kai MIKKONEN

By Kai MIKKONEN May 28th 2026

Professeur de littérature comparée, Université d'Helsinki



kai.mikkonen@helsinki.fi

Discipline : littérature comparée

Champ de recherche : Littérature britannique et française du XIXe et du début du XXe siècle, récits de voyage, littérature multimodale, bandes dessinées, livres d'images, les relations texte-image, théories du récit et de la fiction

Website : https://researchportal.helsinki.fi/en/persons/kai-mikkonen/

Mots-clés : Fait et Fiction, Fiction et média, Factualité, Image, Histoire, Mondes possibles, Langue et linguistique, Vérité, Vraisemblance, Théâtre, Réalisme, Romans, Peinture, Non-fiction, Narratologie, Personnages, Bandes dessinées, romans graphiques, manga

Category : Members

Martin Sebastian Hammer

By Martin Sebastian Hammer May 27th 2026

Postdoctoral Researcher, Technical University of Braunschweig



martin.hammer@tu-braunschweig.de

Discipline : German Medieval Studies

Field of research : Fictionality and Metalepsis in Medieval Literature

Website : https://www.tu-braunschweig.de/germanistik/abt/spr/mitarb/martin-hammer

Keywords : Fact and Fiction, Narratology

Category : News / Events

Colloque "Fiction et fictionnalité dans les littératures d'Asie"

Université Sorbonne Nouvelle, 21-22 mai 2026

By Anne BESSON May 20th 2026

Fiction et fictionnalité dans les littératures d'Asie

1200px-Ganesa_writing_the_Mahabharat-_1_.jpg

Organisation : Ashvini Chandrakumar, Maëlle Savina 

Comité scientifique : Françoise Lavocat, Claudine Le Blanc, Tristan Mauffrey, Nina Soleymani Majd 

Dates : 21 et 22 mai 2026

Lieu : Université Sorbonne Nouvelle - Nation - salle A608

Contacts : ashvini.chandrakumar@sorbonne-nouvelle.fr, maelle.savina@sorbonne-nouvelle.fr

--

Programme :

Jeudi 21 mai 2026 – Campus Nation – Salle A608

9h. Accueil

9h15. Introduction - Ashvini Chandrakumar et Maëlle Savina

Mort et (ré)incarnations de l’auteur dans la littérature philippine et tamoule

Modération : Ashvini Chandrakumar (Sorbonne Nouvelle)

9h30. Marguerite Mouton (Université de Bordeaux) : Avant la « mort de l’auteur » : présence et effacement de l’artiste dans A Portrait of the Artist as Filipino de Nick Joaquin

10h. Eswar Nagarajan (Université de Pondichéry) : Désécrire le soi : la mort et la résurrection de l’auteur dans ஸீேராடிகரி (Zero Degree) de Charu Nivedita

10h30. Pause

Postures auctoriales dans la littérature coréenne et classique chinoise

Modération : Maëlle Savina (Sorbonne Nouvelle)

11h. Raphaëlle Rottler (Versailles) : « Moi, Yi Sang, tel un épouvantail » : la performativité auctoriale dans les œuvres de Yi Sang

11h30. Jingjing Han (ENS de Paris) : L'obligation de la vraisemblance : l'auteur face à la fiction dans le bijixiaoshuochinois

12h30. Déjeuner

Escamotage et anonymisation de l’auteur dans la littérature persane

Modération : Nina Soleymani Majd (Sorbonne Nouvelle)

14h. Mozhdeh Sameti (Université de Szeged) : L’Auteur comme fantôme : de l’anonymat classique au drame diégétique moderne dans la littérature persane

14h30. Anis Baghi (Université de Lille) : Mise en fiction du « je » et jeu de retrait auctorial dans Passe-partout de Jafar Modares Sâdeghi

15h. Pause

Stratégies de l’auteur et régime critique dans la littérature japonaise

Modération : Yannick Maufroid (Inalco)

15h15. Aki Yoshida (Inalco) : La stratégie auctoriale d'Ishimure Michiko dans Kugai jôdo (Ce paradis qu'est notre amer monde)

15h45. Paul Sauvaire-Brochot (Inalco) : Critique fictionnalisante, critique défictionnalisante : autour d’Izumi Kyôka et de Tayama Katai

16h15. Pause

Table ronde : Enseigner et transmettre les littératures d’Asie

Modération : Claudine Le Blanc (Sorbonne Nouvelle)

Participants.es : Jérémie Alliet - Anis Baghi - Céline Barral - Jingjing Han - Yannick Maufroid - Mei Mercier - Marguerite Mouton - Eswar Nagarajan - Tai Ouge - Raphaëlle Rottler - Mozhdeh Sameti - Paul Sauvaire - Ilhame Sbira - Aki Yoshida - Yinan Zhou

Participant.es invité.es : Françoise Lavocat - Claudine Le Blanc - Tristan Mauffrey - Philippe Postel (Nantes Université) - Léna Simon (Université de Bretagne Occidentale) - Nina Soleymani Majd - Marie Yan (Aix-Marseille Université)

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Vendredi 22 mai 2026 – Campus Nation – Salle A608

8h30. Accueil

Fabriquer l’auteur, se construire : le cas de Haruki Murakami

Modération : Gérald Peloux (Inalco)

9h. Jérémie Alliet (ENS de Lyon) : Haruki Murakami / Hiraku Makimura : anamorphose de l’auteur en faiseur de phrases dans Danse, danse, danse de Murakami Haruki (1988)

9h30. Ilhame Sbira (Université Hassan II - Casablanca) : Entre réalité biographique et fiction romanesque : Haruki Murakami et la construction de soi dans Kafka sur le rivage

10h. Pause

Quand l’auteur devient personnage : contemporanéités littéraires au Japon

Modération : Jérémie Alliet (ENS de Lyon)

10h15. Gérald Peloux (Inalco) : Les taidan (entretiens) fictionnels dans l'œuvre de Yokota Jun.ya

10h45. Yannick Maufroid (Inalco) : Le grand auteur japonais dans la spirale du mediamix : le cas des adaptations en light novel du « jeu vidéo littéraire » Bungô to Alchemist

11h15. Pause

Figures de l’auteur dans la Chine impériale

Modération : Céline Barral (Université Bordeaux Montaigne)

11h30. Yinan Zhou (Aix-Marseille Université) : La figure de Li Yu (1611-1680) perçue à travers la vision amoureuse dans sa pièce

12h00. Tai Ouge (Sorbonne Nouvelle) : La fictionnalité du Rêve dans le pavillon rouge et la construction pluridimensionnelle de la figure de Cao Xueqin

12h30. Déjeuner

Inventer l’écrivain moderne dans la littérature chinoise du XXe siècle

Modération : Tristan Mauffrey (Sorbonne Nouvelle)

14h. Céline Barral (Université Bordeaux Montaigne) : Fictions de l’écrivain nobélisable, fiction du lettré occidentalisé : Qian Zhongshu, 1945-1946

14h30. Mei Mercier (Sorbonne Université) : Métamorphoses de l'écrivain chinois Wang Xiaobo (1952-1997)

15h. Clôture du colloque

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