florian.cova@gmail.com

Discipline : Philosophie, Psychologie

Domaines de recherches : Philosophie expérimentale, éthique, esthétique

Choix de publications

Cova, F. & Pain, N. (2012). Can folk aesthetics ground aesthetic realism? The Monist, 95(2), 243-263

Cova, F. & Teroni, F. (2015). Le paradoxe de la fiction : le retour. In M. Rueff and J. Zanetta (Eds.), L’Expression des Emotions : Mélanges en l’honneur de Patrizia Lombardo. Université de Genève

Cova, F. & Garcia, A. (2015). The puzzle of multiple endings. Journal of Aesthetics and Art Criticism, 73(2), 105-114

Cova, F., Garcia, A. & Liao, S. (2015). Experimental philosophy of aesthetics. Philosophy Compass, 10, 927-939

Cova, F. & Teroni, F. (2016). Is the paradox of fiction soluble in psychology? Philosophical Psychology, 29(6), 930-942

Cova, F., Deonna, J. & Sander, D. (in press). “That’s deep!”: The role of Being Moved and feeling of profundity in the appreciation of serious narratives. In T. Blake & D.R. Wehrs (Eds.), The Palgrave Handbook of Affect Studies and Textual Criticism

Cova, F. & 45 authors (in press). De pulchritudine non est disputandum? A cross-cultural investigation of the alleged intersubjective validity of aesthetic judgment. Mind & Language.

Cova, F. & Friend, S. (forthcoming). How does fiction elicit emotions? In J. Campbell (Ed.), Routledge Handbook of Emotion Theory.Wiley-Blackwell.

e.fulop@lancaster.ac.uk

Discipline : French Studies

Domaines de recherches : littérature française, littérature contemporaine, reflexivité, intermédialité, vidéo-écriture, littérature numérique, factographie, storytelling

Monograph 

Proust, the One, and the Many: Identity and Difference in A la recherche du temps perdu (Oxford: Legenda, 2012)

Joint-Edited Books

 With Philippe Chardin, Cent ans de jalousie proustienne (Paris: Classiques Garnier, 2015)

 With Adrienne Angelo, Protean Selves: First-Person Narrators in Twenty-First-Century French and Francophone Narratives (Newcastle: Cambridge Scholars Publishing, 2014),

 With Adrienne Angelo, Cherchez la femme: Women and Values in the Francophone World (Newcastle: Cambridge Scholars Publishing, 2011)

Articles and Book Chapters

‘La logique de l’abyme : nouvelles perspectives sur le paradoxe’, in Tonia Raus & Gian Maria Torre (eds), Sonder l’abyme, Presses universitaires de Rennes (forthcoming in 2018)

‘La bénédiction du piège sucré: L’auteur numérique face à Facebook’, in Art, littérature et réseaux sociaux (Actes du Colloque de Cerisy) (forthcoming in 2018)

‘Digital CultureS: A View from French Studies and Literature’ (Forum discussion contribution), Explorations in Media Ecology, vol. 18 (forthcoming)

 ‘Retour sur « le retour du récit » : Storytelling dans la critique littéraire’, Raison publique, June 2018 ’Littérature contre Storytelling avant l’ère néolibérale’, ed. by Danielle Perrot-Corpet and Judith Sarfati-Lanter

 ‘LIMITE Unbound: François Bon’s digitalized fiction and the reinvention of the book’, Journal of Romance Studies, 16.1 (2016), 62–90

 ‘Proust’s Imperfect: Rhythms of the Recherche’, in Adam Watt (ed.), Swann at 100/Swann à 100 ans, Marcel Proust Aujourd’hui 12 (2015), 197–212

 ‘Gros plan sur la jalousie: La Captive de Chantal Akerman’, in Fülöp and Chardin (eds), Cent ans de jalousie proustienne, pp. 255–268

‘Dramatizing the Virtual: A Deleuzian Reading of Three Recent Metafictions’, Critical Review of Contemporary French Fixxion, 9: Fiction et virtualité(s), December 2014, 5–15

 ‘Habit in A la recherche du temps perdu’, French Studies, 68.3 (2014), 344–58

 ‘Introduction’, in Fülöp and Chardin (eds), Cent ans de jalousie proustienne, pp. 11–19

 ‘Born in Translation: Writing the Self in Brice Matthieussent’s Vengeance du traducteur’, in Angelo and Fülöp (eds), Protean Selves,pp. 54–66

 ‘Introduction’, with Adrienne Angelo, in Angelo and Fülöp (eds), Protean Selves,pp. 1–11

 ‘The Blogosphere and the Gutenberg Galaxy and Other Impossible Oppositions: Éric Chevillard’s L’Autofictif’,inMargaret-Anne Hutton, Michael Gratzke, Claire Whitehead (eds), Readings in Twenty-First-Century Literatures (Bern: Peter Lang, 2013), pp. 39–58

 ‘Amélie’s Horse: Writing as Jouissance in Nothomb’, in Fülöp and Angelo, Cherchez la femme, pp. 209–24

 ‘Introduction’, in Fülöp and Angelo (eds), Cherchez la femme, pp. 1–12

 ‘Different Essences and Essential Differences: Proust versus Deleuze’, in Mary Bryden and Margaret Topping (eds), Beckett’s Proust/Deleuze’s Proust (Basingstoke: Palgrave Macmillan, 2009), pp. 39–46

‘Becoming Body: Writing and Sleep in A la Recherche du Temps perdu’, in Thomas Baldwin, James Fowler, Shane Weller (eds), The Flesh in the Text (Bern: Peter Lang, 2007), pp. 109–21

Voir : http://www.lancaster.ac.uk/languages-and-cultures/about-us/people/erika-fulop

norsk@cc.au.dk 

Field: Narratology / Literature.

Research areas: Contemporary literature, Autobiography, Narratology, Poetry, Literary Theory.

Relevant publications

“Lyric Poetry as anti-mimetic bridging in Narratives and Motion Pictures.A Case Study of The Affective Response to Christopher Nolan’s Interstellar (2014).” Robyn Warhol (ed. et al) The Edinburgh Companion to Narrative Theory. Edinburgh UP, 2018.

“Karl Ove Knausgaard’s My Struggle: A Real Life in a Novel.” a/b: Auto/Biography Studies 31.3, 553-579. With Arnaud Schmitt, Bordeaux University, 2016.

“Getting People Right. Getting Fiction Right. Self-Fashioning, Fictionality, and Ethics in the Roth Books.” JNT: Journal of Narrative Theory 46.1, 121-148, 2016.

“In the Waiting Room. Narrative in the autobiographical lyric poem, or beginning to think about lyric poetry with narratology.” Narrative 22.2, 185-202, 2014.

“The Medium Is Also The Message: Narrating Media in Bret Easton Ellis’s Glamorama.” Style 45.4, 619-637, 2012.

See also http://pure.au.dk/portal/da/norsk@cc.au.dk

mtopuzian@gmail.com

Discipline: Théorie Littéraire, Littérature Espagnole Moderne et Contemporaine

Domaines de recherches: Littérature, État, Nation et Médias

Mots clefs: Fiction et média, Histoire, Immersion, Romans, Arts du spectacle, Mondes possibles, Psychanalyse, Sociologie

Voir aussi : https://uba.academia.edu/MarceloTopuzian